The New York Times   Tim Page
Margot in The Desert Song
Rebecca Spencer is a pleasing, full-voiced and funny Margot.

The New York Times D.J.R. Bruckner
Marsinah in KISMET

Miss Spencer, who looks as fresh and innocent as the Caliph thinks she is, makes the gems glow in "Baubles, Bangles and Beads" and could draw tears from a stone in the reprise of "Stranger in Paradise".

The New York Times Alvin Klein
Johanna in SWEENEY TODD

Rebecca Spencer’s glistening soprano suggests that she could scale the heights of a Donizetti opera bouffe.

The lead paragraph from
The Tampa Tribune Porter Anderson
Shirley in LADY BE GOOD

There are few songs as shimmeringly, provocatively lovely as George and Ira Gershwin’s ‘The Man I Love’. And this week, you can hear Rebecca Spencer do it solid soprano justice at the Tampa Bay Performing Arts Center. The Lady is good. At Wednesday’s opening, Spencer posed each weeping wistful lyric with such sure-voiced finesse that many of the well-dressed, frequently talkative audience actually shut up and listened.

The Houston Chronicle Everett Evans
Lisa Carew in JEKYLL AND HYDE

Rebecca Spencer is striking in the part: beautiful, womanly. with a fine soprano and a firm sense of character.

The Providence Journal William K. Gale
Marian in THE MUSIC MAN

Easily the best musical production to play Rhode Island in several years. Rebecca Spencer brings a glorious, beautiful controlled soprano to Marian. When she sang the theatre was quiet as if empty, with everyone not wanting to miss a note.

The Poughkeepsie Journal Rachel Cassidy
Christine in PHANTOM

Rebecca Spencer has an ethereal appearance which houses a voice of polished platinum.

The Providence Phoenix Bill Rodriguez
Mrs.Crachitt in A CHRISTMAS CAROL

Speaking of singing, the trained voice of Rebecca Spencer is so beautiful it threatens to stop the action in its tracks.

WMNR Fine Arts 88.1 FM Rosalind Friedman
Marsinah in Kismet

At the opening of KISMET at the Darien Dinner Theatre, Rebecca Spencer, a young and beautiful soprano who plays the part of Marsinah, stopped the show. Her voice and demeanor sent chills through the audience.

The Palm Beach Post Hap Epstein
Rosabella in MOST HAPPY FELLA
Carbonelle Award Nomination

Rebecca Spencer gives a particularly well-sung, intelligent performance. The original score gives her a chance to reveal her inner feelings, and Spencer makes the most of it.

Scottsdale Tribune   Max McQueen
Buttercup in HMS PINAFORE
Zoni Award Nomination

Rebecca Spencer makes for a playful, voluptuos Buttercup. Her warm soprano is well used on "I'm Called Little Buttercup" and "Things are Seldom What They Seem".
She uses a knowing playfulness to good stead as she advances the musical's plot.